Sunday, 3 February 2013

Macbeth - Characters and Brief Character Descriptions


Macbeth A captain in Duncan's army, later the Thane (Lord) of Glamis and Cawdor. When Three Witches predict that one day, he will be king of Scotland, he takes his fate into his own hands, allowing his ambition and that of his wife to overcome his better judgement. His bloody reign culminates in a battle against Malcolm and the English forces.
Lady Macbeth Macbeth's devilish wife, whose ambition helps to drive her husband toward the desperate act of murder. Subsequently, her husband's cruelty and her own guilt recoil on her, sending her into a madness from which she never recovers.
Banquo A fellow-captain and companion of Macbeth, who also receives a prophecy from the Witches: that his children will one day succeed to the throne of Scotland. This information is sufficient to spell his death at the hands of the resentful Macbeth, who is later haunted by Banquo's ghost.
Duncan The King of Scotland. His victories against rebellious kinsmen and the Norwegians have made him a popular and honored king. His decision to pass the kingdom to his son Malcolm provokes his untimely death at the hands of Macbeth.
Fleance Banquo's son, who, by escaping Macbeth's plot on his life, will go on to be father to a line of kings.
Donalbain and Malcolm Duncan's two sons. Fearful of implication in their father's murder, they flee Scotland, Donalbain to Ireland and Malcolm to England, where he raises a large army with the intention of toppling the tyrant Macbeth.
Macduff A thane (nobleman) of Scotland who discovers the murdered King Duncan. Suspecting Macbeth and eventually turning against him, Macduff later flees to England to join Malcolm. When Macbeth arranges the murder of his wife and children, Macduff swears personal revenge.
Lennox, Ross, Menteth, Angus, Caithness Thanes of Scotland, all of whom eventually turn against the tyrannical Macbeth.
The Porter, the Old Man, the Doctors Three commentators on events, all of whom have a certain degree of wisdom and foresight. The Porter hints at the Hell-like nature of Macbeth's castle; the Old Man associates the murder of King Duncan with the instability of the natural world; the Doctors recognize disease and disorder even though they cannot cure it.
The Witches Three agents of Fate who reveal the truth (or part of it) to Macbeth and Banquo and who later appear to confirm the downfall and tragic destiny of the tyrannical Macbeth.

Macbeth - An Overall Description Of Macbeth

In Macbeth, William Shakespeare's tragedy about power, ambition, deceit, and murder, the Three Witches foretell Macbeth's rise to King of Scotland but also prophesy that future kings will descend from Banquo, a fellow army captain. Prodded by his ambitious wife, Lady Macbeth, he murders King Duncan, becomes king, and sends mercenaries to kill Banquo and his sons. His attempts to defy the prophesy fail, however; Macduff kills Macbeth, and Duncan's son Malcolm becomes king.
Written by: William Shakespeare
Type of Work: Play
Genres: Drama; Tragedy
First Published: Most Likely Around 1605-1606
Setting: Scotland
Main Characters: Macbeth; Lady Macbeth; Duncan; Macduff; Banquo; Malcolm
Major Thematic Topics: fall of man; gender roles; fortune; fate; free will; kingship/natural order; ambition; love of self
Motifs: revenge; sanity; prophecy
Major Symbols: hands; the Three Witches; ghosts
Movie Versions: Macbeth (1948); A Performance of Macbeth (1979); Scotland,Pa. (2001)
The three most important aspects of Macbeth:
  • Lady Macbeth is one of the most famous female characters in all of literature. Macbeth's wife is smart, ambitious, and brave. She is undone, however, by her ambition, and by her utter ruthlessness.
  • The most famous speech in this play full of famous lines and speeches is Macbeth's soliloquy that begins "Tomorrow, and tomorrow, and tomorrow/Creeps in this petty pace from day to day/To the last syllable of recorded time . . . ." These lines express Macbeth's utter hopelessness near the tragedy's end about not only his life, but life in general.
  • It is a widely held superstition in the world of theater that saying the play's name aloud brings bad luck. Instead, actors, directors, and other theater people refer to Macbeth as "the Scottish play."

Macbeth - Plot Summary


The play begins with the brief appearance of a trio of witches and then moves to a military camp, where the Scottish King Duncan hears the news that his generals, Macbeth and Banquo, have defeated two separate invading armies—one from Ireland, led by the rebel Macdonwald, and one from Norway. Following their pitched battle with these enemy forces, Macbeth and Banquo encounter the witches as they cross a moor. The witches prophesy that Macbeth will be made thane (a rank of Scottish nobility) of Cawdor and eventually King of Scotland. They also prophesy that Macbeth’s companion, Banquo, will beget a line of Scottish kings, although Banquo will never be king himself. The witches vanish, and Macbeth and Banquo treat their prophecies skeptically until some of King Duncan’s men come to thank the two generals for their victories in battle and to tell Macbeth that he has indeed been named thane of Cawdor. The previous thane betrayed Scotland by fighting for the Norwegians and Duncan has condemned him to death. Macbeth is intrigued by the possibility that the remainder of the witches’ prophecy—that he will be crowned king—might be true, but he is uncertain what to expect. He visits with King Duncan, and they plan to dine together at Inverness, Macbeth’s castle, that night. Macbeth writes ahead to his wife, Lady Macbeth, telling her all that has happened.
Lady Macbeth suffers none of her husband’s uncertainty. She desires the kingship for him and wants him to murder Duncan in order to obtain it. When Macbeth arrives at Inverness, she overrides all of her husband’s objections and persuades him to kill the king that very night. He and Lady Macbeth plan to get Duncan’s two chamberlains drunk so they will black out; the next morning they will blame the murder on the chamberlains, who will be defenseless, as they will remember nothing. While Duncan is asleep, Macbeth stabs him, despite his doubts and a number of supernatural portents, including a vision of a bloody dagger. When Duncan’s death is discovered the next morning, Macbeth kills the chamberlains—ostensibly out of rage at their crime—and easily assumes the kingship. Duncan’s sons Malcolm and Donalbain flee to England and Ireland, respectively, fearing that whoever killed Duncan desires their demise as well.
Fearful of the witches’ prophecy that Banquo’s heirs will seize the throne, Macbeth hires a group of murderers to kill Banquo and his son Fleance. They ambush Banquo on his way to a royal feast, but they fail to kill Fleance, who escapes into the night. Macbeth becomes furious: as long as Fleance is alive, he fears that his power remains insecure. At the feast that night, Banquo’s ghost visits Macbeth. When he sees the ghost, Macbeth raves fearfully, startling his guests, who include most of the great Scottish nobility. Lady Macbeth tries to neutralize the damage, but Macbeth’s kingship incites increasing resistance from his nobles and subjects. Frightened, Macbeth goes to visit the witches in their cavern. There, they show him a sequence of demons and spirits who present him with further prophecies: he must beware of Macduff, a Scottish nobleman who opposed Macbeth’s accession to the throne; he is incapable of being harmed by any man born of woman; and he will be safe until Birnam Wood comes to Dunsinane Castle. Macbeth is relieved and feels secure, because he knows that all men are born of women and that forests cannot move. When he learns that Macduff has fled to England to join Malcolm, Macbeth orders that Macduff’s castle be seized and, most cruelly, that Lady Macduff and her children be murdered.
When news of his family’s execution reaches Macduff in England, he is stricken with grief and vows revenge. Prince Malcolm, Duncan’s son, has succeeded in raising an army in England, and Macduff joins him as he rides to Scotland to challenge Macbeth’s forces. The invasion has the support of the Scottish nobles, who are appalled and frightened by Macbeth’s tyrannical and murderous behavior. Lady Macbeth, meanwhile, becomes plagued with fits of sleepwalking in which she bemoans what she believes to be bloodstains on her hands. Before Macbeth’s opponents arrive, Macbeth receives news that she has killed herself, causing him to sink into a deep and pessimistic despair. Nevertheless, he awaits the English and fortifies Dunsinane, to which he seems to have withdrawn in order to defend himself, certain that the witches’ prophecies guarantee his invincibility. He is struck numb with fear, however, when he learns that the English army is advancing on Dunsinane shielded with boughs cut from Birnam Wood. Birnam Wood is indeed coming to Dunsinane, fulfilling half of the witches’ prophecy.
In the battle, Macbeth hews violently, but the English forces gradually overwhelm his army and castle. On the battlefield, Macbeth encounters the vengeful Macduff, who declares that he was not “of woman born” but was instead “untimely ripped” from his mother’s womb (what we now call birth by cesarean section). Though he realizes that he is doomed, Macbeth continues to fight until Macduff kills and beheads him. Malcolm, now the King of Scotland, declares his benevolent intentions for the country and invites all to see him crowned at Scone.

Wednesday, 3 October 2012

THE BEST OF MICE AND MEN QUOTES THAT WILL SECURE YOU AN A+


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Dreams, Hopes and Plans Quotes
"I remember about the rabbits, George."

"The hell with the rabbits. That’s all you can ever remember is them rabbits." (1.18-19)
This is the first mention we have of the dream. Even from the introduction, it seems Lennie is more excited than George about the prospect. George’s easy dismissal of "them rabbits" makes it seem as though he thinks the whole thing is silly. This will get more complex as we realize that George might be as excited about the dream as Lennie; it seems he is just more cautious about that excitement, given that he’s more world-weary than his companion.


"Well, we ain’t got any," George exploded. "Whatever we ain’t got, that’s what you want. God a’mighty, if I was alone I could live so easy. I could go get a job an’ work, an’ no trouble. No mess at all, and when the end of the month come I could take my fifty bucks and go into town and get whatever I want. Why, I could stay in a cathouse all night. I could eat any place I want, hotel or any place, and order any damn thing I could think of. An’ I could do all that every damn month. Get a gallon of whisky, or set in a pool room and play cards or shoot pool." Lennie knelt and looked over the fire at the angry George. And Lennie’s face was drawn in with terror. "An’ whatta I got," George went on furiously. "I got you! You can’t keep a job and you lose me ever’ job I get. Jus’ keep me shovin’ all over the country all the time." (1.89)
George explodes at Lennie and rattles off what he imagines to be the dream-life of a traveling worker without any burdens (like Lennie). George envisions a carefree life and is careful to emphasize that Lennie is the roadblock. What George outlines for himself here is strangely prophetic, given what will come to him later in the story.

GEORGE "O.K. Someday—we’re gonna get the jack together and we’re gonna have a little house and a couple of acres an’ a cow and some pigs and—"

This kernel is one of the foundational pieces of the whole play, perhaps its most important. There are numerous bits to analyze in this passage, ranging from its reflection of the American Dream during the Depression to the fact that the dream is so repeated among the two men that even dull Lennie has memorized some of it. For our purposes, it’s very important that this talk of the farm oscillates wildly throughout the play – it seems like the farm is a dream to George, a hope for Lennie, and (eventually) even a plan for Candy. It’s especially interesting that sometimes it seems the farm is the dream that keeps them going, and sometimes it is just a reminder of the futility of dreaming.
[Crooks] hesitated. "… If you … guys would want a hand to work for nothing—just his keep, why I’d come an’ lend a hand. I ain’t so crippled I can’t work like a son-of-a-bitch if I want to." (4.88)
Dreams are almost infectious. Even Crooks, whom we’ve only come to know for his nay-saying up to now, seems ready to believe. It’s at this point we feel like this thing is really going to happen – or that it might just be too good to be true.

Friendship Quotes
"With us it ain’t like that. We got a future. We got somebody to talk to that gives a damn about us. We don’t have to sit in no bar room blowin’ in our jack jus’ because we got no place else to go. If them other guys gets in jail they can rot for all anybody gives a damn. But not us."

Lennie broke in. "But not us! An’ why? Because… because I got you to look after me, and you got me to look after you, and that’s why." He laughed delightedly. "Go on now, George!" (1.113-116)
This is a pretty timeless definition of friendship: somebody to listen, somebody to bail you out of jail, and most importantly, somebody that cares and looks out for you. It’s notable, too, that though George is the one who usually gives the speech, he’s clearly worked in the fact that both men rely on and look after each other. Again, George is a friend (and not a father or a master) because he is so willing to admit that he needs Lennie too.

"Well-hell! I had him so long. Had him since he was a pup. I herded sheep with him." He said proudly, "You wouldn’t think it to look at him now, but he was the best damn sheep dog I ever seen." (3.56)
This entire passage with Candy and his relationship to his dog is incredibly important. Candy has the same feelings toward his dog that George has toward Lennie. (This isn’t to degrade Lennie or elevate the dog, but it’s a comment on the nature of friendship and the love that comes with it.) Candy loves the dog though he smells, George loves Lennie though he’s not too bright and accidentally kills things. When asked to justify their friendships, both men simply say they’ve gotten used to being with their companion.

Crooks scowled, but Lennie’s disarming smile defeated him. "Come on in and set a while," Crooks said. "’Long as you won’t get out and leave me alone, you might as well set down." His tone was a little more friendly. (4.22)
Lennie has gotten Crooks to soften up a little. Likely, Crooks is cracked a bit by Lennie’s innocence, but no matter the reason, it’s always a little flattering to have someone try and be your friend. Lennie seems to be refreshingly open.
"But I wouldnt eat none, George. Id leave it all for you. You could cover your beans with it and I wouldnt touch none of it. (Lennie)
We got somebody to talk to that gives a damn about us. (George)

Because… because I got you to look after me, and you got me to look after
you,  (Lennie)

We kinda look after each other. (George)

Got kinda used to each other after a little while. (George)

even in the open one stayed behind the other

Lennie, who had been watching, imitated George exactly.

Lennie obeyed him.

Isolation Quotes

LENNIE "If you don’ want me I can g off in the hills an’ find a cave. I can go away any time." GEORGE "No—look! I was jus’ foolin’, Lennie. ’Cause I want you to stay with me." (1.103-104)
Once Lennie seems ready to leave George alone (whether he actually is or not), George finally comes around to admitting that he needs Lennie. It seems he has realized that isolation simply isn’t worth it.

BOSS "I said what stake you got in this guy? You takin’ his pay away from him?"

GEORGE "No, ‘course I ain’t. Why you think I’m sellin’ him out?"

BOSS "Well, I never seen one guy take so much trouble for another guy. I just like to know what your interest is." (2.45-47)
The boss immediately suspects George is taking advantage of Lennie. In this transient worker culture, with men wandering around and generally suffering under the Depression, the boss can’t imagine a situation where two guys would stick together, just because. Though it’s a bit preposterous, to the boss it’s more believable that this tiny guy would be taking advantage of this much bigger guy than that the two could really just look out for each other. The boss, like any one else familiar with ranch work during the Depression, expects isolation as the status quo.

Slim looked through George and beyond him. "Ain’t many guys travel around together," he mused. "I don’t know why. Maybe ever’body in the whole damn world is scared of each other." (2.179)
It’s really interesting that this comment comes from Slim. Of course, it characterizes how all those people drifting in poverty across the country and looking for work are feeling, but Slim’s the ranch’s own local megastar. He, who can do no wrong, intimidate any man, and kill a fly with a bull whip, seems to have the same feelings as everybody else about the whole world. It’s a lonely and scary place.

GEORGE "I seen the guys that go around on the ranches alone. That ain’t no good. They don’t have no fun. After a long time they get mean. They get wantin’ to fight all the
time." (3.17)
Loneliness Quotes:
”Guys like us, that work on ranches, are the loneliest guys in the world”
“We gota future. We got somebody to talk to that gives a dam about us”
“I got you to look after me, and you got me to look after you.”
“A guy on a ranch don’t never listen nor he don’t ast no questions.”
“Curley’s like a lot of little guys. He hates big guys.”
“Aint many guy travel around together”
“Maybe ever' body in the whole damn world is scared of each other”
“Hardly none of the guys ever travel together”
Isolation seems to make men return to their basest instincts – fighting to survive. It seems companionship is the only thing that can keep men civilized, and ranches full of lonely guys tend not to be that civilized.

Prejudice and Discrimination
Curley’s Wife: “Listen Nigger, You know what I can do to you if you open your trap.”

Against mental disabilities:
If he finds out what a crazy bastard you are, we wont get no job, (George)
Racism:
They let the nigger come in that night.

I aint wanted in the bunk house, and you aint wanted in my room.

Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it aint even funny, (Curleys Wife)

"Guys dont come into a colored mans room very much. ( Crooks)

And a manure pile under the window. Sure its swell. (Crooks)
Sexism:
I seen em poison before, but I never seen no piece of jail bait worse than her. (George)
bitch/tramp/tart
cathouse/whorehouse


Themes
Themes are the fundamental and often universal ideas explored in a literary work.
The Predatory Nature of Human Existence
Of Mice and Men teaches a grim lesson about the nature of human existence. Nearly all of the characters, including George, Lennie, Candy, Crooks, and Curley’s wife, admit, at one time or another, to having a profound sense of loneliness and isolation. Each desires the comfort of a friend, but will settle for the attentive ear of a stranger. Curley’s wife admits to Candy, Crooks, and Lennie that she is unhappily married, and Crooks tells Lennie that life is no good without a companion to turn to in times of confusion and need. The characters are rendered helpless by their isolation, and yet, even at their weakest, they seek to destroy those who are even weaker than they. Perhaps the most powerful example of this cruel tendency is when Crooks criticizes Lennie’s dream of the farm and his dependence on George. Having just admitted his own vulnerabilities—he is a black man with a crooked back who longs for companionship—Crooks zeroes in on Lennie’s own weaknesses.

In scenes such as this one, Steinbeck records a profound human truth: oppression does not come only from the hands of the strong or the powerful. Crooks seems at his strongest when he has nearly reduced Lennie to tears for fear that something bad has happened to George, just as Curley’s wife feels most powerful when she threatens to have Crooks lynched. The novella suggests that the most visible kind of strength—that used to oppress others—is itself born of weakness.
Fraternity and the Idealized Male Friendship
One of the reasons that the tragic end of George and Lennie’s friendship has such a profound impact is that one senses that the friends have, by the end of the novella, lost a dream larger than themselves. The farm on which George and Lennie plan to live—a place that no one ever reaches—has a magnetic quality, as Crooks points out. After hearing a description of only a few sentences, Candy is completely drawn in by its magic. Crooks has witnessed countless men fall under the same silly spell, and still he cannot help but ask Lennie if he can have a patch of garden to hoe there. The men in Of Mice and Men desire to come together in a way that would allow them to be like brothers to one another. That is, they want to live with one another’s best interests in mind, to protect each other, and to know that there is someone in the world dedicated to protecting them. Given the harsh, lonely conditions under which these men live, it should come as no surprise that they idealize friendships between men in such a way.
Ultimately, however, the world is too harsh and predatory a place to sustain such relationships. Lennie and George, who come closest to achieving this ideal of brotherhood, are forced to separate tragically. With this, a rare friendship vanishes, but the rest of the world—represented by Curley and Carlson, who watch George stumble away with grief from his friend’s dead body—fails to acknowledge or appreciate it.
The Impossibility of the American Dream
Most of the characters in Of Mice and Men admit, at one point or another, to dreaming of a different life. Before her death, Curley’s wife confesses her desire to be a movie star. Crooks, bitter as he is, allows himself the pleasant fantasy of hoeing a patch of garden on Lennie’s farm one day, and Candy latches on desperately to George’s vision of owning a couple of acres. Before the action of the story begins, circumstances have robbed most of the characters of these wishes. Curley’s wife, for instance, has resigned herself to an unfulfilling marriage. What makes all of these dreams typically American is that the dreamers wish for untarnished happiness, for the freedom to follow their own desires. George and Lennie’s dream of owning a farm, which would enable them to sustain themselves, and, most important, offer them protection from an inhospitable world, represents a prototypically American ideal. Their journey, which awakens George to the impossibility of this dream, sadly proves that the bitter Crooks is right: such paradises of freedom, contentment, and safety are not to be found in this world.
Motifs
Motifs are recurring structures, contrasts, and literary devices that can help to develop and inform the text’s major themes.
The Corrupting Power of Women
The portrayal of women in Of Mice and Men is limited and unflattering. We learn early on that Lennie and George are on the run from the previous ranch where they worked, due to encountering trouble there with a woman. Misunderstanding Lennie’s love of soft things, a woman accused him of rape for touching her dress. George berates Lennie for his behavior, but is convinced that women are always the cause of such trouble. Their enticing sexuality, he believes, tempts men to behave in ways they would otherwise not.

A visit to the “flophouse” (a cheap hotel, or brothel) is enough of women for George, and he has no desire for a female companion or wife. Curley’s wife, the only woman to appear in Of Mice and Men, seems initially to support George’s view of marriage. Dissatisfied with her marriage to a brutish man and bored with life on the ranch, she is constantly looking for excitement or trouble. In one of her more revealing moments, she threatens to have the black stable-hand lynched if he complains about her to the boss. Her insistence on flirting with Lennie seals her unfortunate fate. Although Steinbeck does, finally, offer a sympathetic view of Curley’s wife by allowing her to voice her unhappiness and her own dream for a better life, women have no place in the author’s idealized vision of a world structured around the brotherly bonds of men.
Loneliness and Companionship
Many of the characters admit to suffering from profound loneliness. George sets the tone for these confessions early in the novella when he reminds Lennie that the life of a ranch-hand is among the loneliest of lives. Men like George who migrate from farm to farm rarely have anyone to look to for companionship and protection. As the story develops, Candy, Crooks, and Curley’s wife all confess their deep loneliness. The fact that they admit to complete strangers their fear of being cast off shows their desperation. In a world without friends to confide in, strangers will have to do. Each of these characters searches for a friend, someone to help them measure the world, as Crooks says. In the end, however, companionship of his kind seems unattainable. For George, the hope of such companionship dies with Lennie, and true to his original estimation, he will go through life alone.
Strength and Weakness
Steinbeck explores different types of strength and weakness throughout the novella. The first, and most obvious, is physical strength. As the story opens, Steinbeck shows how Lennie possesses physical strength beyond his control, as when he cannot help killing the mice. Great physical strength is, like money, quite valuable to men in George and Lennie’s circumstances. Curley, as a symbol of authority on the ranch and a champion boxer, makes this clear immediately by using his brutish strength and violent temper to intimidate the men and his wife.
Physical strength is not the only force that oppresses the men in the book. It is the rigid, predatory human tendencies, not Curley, that defeat Lennie and George in the end. Lennie’s physical size and strength prove powerless; in the face of these universal laws, he is utterly defenseless and therefore disposable


Harmful Effects of Prejudice and discrimination - OF MICE AND MEN


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Of Mice Mice and Men Essay
Topic: Harmful Effects of Prejudice and discrimination

In John Steinbeck’s novel, Of Mice and Men, there are many examples of prejudice and discrimination behavior. The main aspects of prejudice shown in the novel are sexual, racial discrimination and social prejudice. We specifically see examples of prejudice in the way Curley’s wife, Crooks, Candy and Lennie are treated.

There is a lot of racial prejudice shown towards the crippled black man, Crooks. Crooks has his own room separate to everyone else. This is because everyone on the ranch doesn’t want Crooks to be with them in the same bunk house. As a result of this prejudice, Crooks has become utterly lonely. When Lennie entered Crooks’ room looking for the puppie Lennie loves, Crooks instantly becomes defensive. “You go on get otta my room. I ain’t wanted in the bunk house, and you ain’t wanted in my room.” Because of Lennie’s lack of knowledge, Lennie is more in touch with the natural side of things, not the “civilised” side of things. “Why ain’t you wanted?” “Cause I’m black…” Lennie does not consider Crooks different from anybody else. Crooks really wants to be involved and have fun with the other ranch members but he cannot, because of his skin colour. Crooks is also discriminated by Curley’s wife. “Listen Nigger,” “You know what I can do to you if you open your trap?” Crooks stared hopelessly at her, and then he sat down on his bunk and drew into himself.” Curley’s wife does not show one bit of respect towards Crooks at all. All this hatred and discrimination has turned Crooks into a lonely, no self-belief or esteem, sorrowful man.

Curley’s wife is sexually prejudiced because she is a woman. Since the ranch is male dominant, she is lonely and her social status goes down too. When Crooks asked Curley’s wife to leave his room, she instantly said, “Listen nigger,” You know what I can do to you if you open your trap.” Her prejudice is a last resort. She knows it’s the only weapon she has to assert that she’s worth something. Prejudice is just another tool she has to cut others down, which is the only way she can feel like she isn’t a worthless nobody. In relevance to social prejudice, not giving a name to Curley’s wife has something to do with her being insignificant. No one on the ranch talks to her. Curley’s wife is always looking for attention and flirting with all the ranch members, which turns them off immensely. “She got the eye goin’ on all the time on everybody. I bet she even gives the stable buck the eye. I don’t know what the hell she wants.” says Whit. "Ranch with a bunch of guys on it ain't no place for a girl, specially like her" says George. The ranch members don’t like or trust Curley’s wife.

Candy is also socially prejudiced. He is socially prejudiced because he’s old and not ‘useful’, and because he has a disability. Since Candy is old and fragile, he is unable to do most of the work the other ranch members do. This instantly makes Candy an outsider. Candy was one happy with his dog, but ever since his dog got shot, he’s been lonely. Lennie is also socially prejudiced because he’s mentally disabled. When the ranch members go out with George, Lennie doesn’t get invited because he cannot socially interact very well. The same happens when the ranch members go out and do activities. George goes along but Lennie doesn’t because he’s just incapable.

This novel represents what happened during the past. The prejudice and discrimination people suffered from especially the black men in America. They had very few rights back in the day. Women also had very few rights. There are many different types of prejudice in Of Mice and Men and sadly enough, prejudice and discrimination still exists nowadays too.